"Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "I watch her, I count on her: how can I do anything else? If I count on her to let me definitely know how we stand, I do nothing in life but what she herself has led straight up to. I never thought of asking you to 'get rid of her' for me, and I never would have spoken to you if I hadn't held that I am rid of her, that she has backed out of the whole thing. Didn't she do so from the moment she began to put it off? I had already applied for the license; the very invitations were half addressed. Who but she, all of a sudden, demanded an unnatural wait? It was none of my doing; I had never dreamed of anything but coming up to the scratch." Owen grew more and more lucid, and more confident of the effect of his lucidity. "She called it 'taking a stand,' to see what mother would do. I told her mother would do what I would make her do; and to that she replied that she would like to see me make her first. I said I would arrange that everything should be all right, and she said she really preferred to arrange it herself. It was a flat refusal to trust me in the smallest degree. Why then had she pretended so tremendously to care for me? And of course, at present," said Owen, "she trusts me, if possible, still less."!

"Oh, I came back from Ricks last week. I shall be here now till I don't know when." "Yes, henceforth there'll be a ghost or two."

The mixture of reluctance and dependence in this made her feel how much she was failing him. She had the sense of "chucking" him too. "No, no, not yet!" she said, though she had really no other and no better course to prescribe. "Doesn't it occur to you," she asked in a moment, "that if Mona is, as you say, drawing away, she may have, in doing so, a very high motive? She knows the immense value of all the objects detained by your mother, and to restore the spoils of Poynton she is ready—is that it!—to make a sacrifice. The sacrifice is that of an engagement she had entered upon with joy." "To move the furniture?" "But it's cured of that now," her companion added.